Media

Aaron Rushin

Aaron, a co-producer of Timecode: NOLA, has been making films with his own money for far too long. He has earned degrees in Video Production and English from Missouri Western State College and worked as a Commercial Producer at KQTV in St. Joseph, Missouri where his work won a local Addy award.   He later moved to New Orleans to attend Film School at the University of New Orleans.   Since graduating from UNO, Aaron has worked in the New Orleans area as a free-lance filmmaker, directing several award winning short films and writing several feature film screenplays.   One of which, "Mall Story" was a winner at the 2000 Telluride IndieFest.  

 

INT -- AARON'S HOUSE -- AFTERNOON

Sun fills the small New Orleans styled shotgun house as Filmmaker/Producers AARON RUSHIN and RANDY PEREZ sit at Aaron's computer editing system. Perez fumbles at a small tape recorder.

PEE
Is this thing on? Test test.

Perez rewinds the tape a bit, plays it back, and is satisfied. All is a go.

PEE
AAHHEMMM...I know alot of this stuff...but let's start with why did you get involved with Timecode:NOLA?

AARON
Well, I think...you know...we are Filmmakers. We're not just television producers, so we wanted to have and help the film community in New Orleans... because it helps us figure out what's goin' on in this community... because right now there are all kinds of people doing stuff and we didn't know them at all. Who's doin' what... or what's goin' on...so I know... I, in particular wanted to get into that community more and this seemed like a really good way to do it...plus you know it was an opportunity to practice filmmaking...i've done alot of the opens for the show...that's filmmaking practice...that can only help with the work that we do later.

PEE
So besides Timecode what else are you doing?

AARON
Well right now I'm working on a script that I want to shoot on digital Video...a feature...which will be the first feature length thing that I've ever done...I want to do that...and I'm working on that script...and maybe shoot it with digital video in a real guerrilla style...but that's a long process of working it out...I'm just now writing the first draft and God only knows how many drafts it's gonna take to get it good...so...and then I'm kind of finished promoting and showing the other films I've done with festivals and stuff...

PEE
SO how many Films have you made?

AARON
Four 16mm films that have been in festivals and stuff like that...the last film I did was all on my own...it wasn't even in film school...I just found some money and did it...well with the camera my friend Lenny Feller and I own...but it was fun...

PEE
So do you think you're finished with shorts?

AARON
Oh..no..I have a couple of scripts I want to do, too...Its kinda funny...I'm workin' on this feature thing...but I definitely think by the end of the year shoot another short film...I have a script I've been wanting to shoot...It's real short only about three or four pages..but whenever I get time...ha...and when it's not so hot...

PEE
Is there any advice you could give to filmmakers that are just starting out?

AARON
I think there's two things...first...do it..and second if you want it to be good...you have to try to do it correctly...especially from what I've noticed in my work...the sound was bad...you know...and I wanna have good sound...because it's so important when you try to show it...so everything I do, even a little short I have to hire a professional sound guy...someone that knows what they're doing...It costs too much in the long run to try and fix it...

 

Link to Aaron's film, Faith & Betrayal



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